Ulrika Fredrika Pasch, född 10 juli 1735 i Stockholm, död 2 april 1796, var en svensk konstnär. Hon var dotter till konstnären Lorens Pasch d.ä. och Anna Helena Beckamn, syster till konstnären Lorens Pasch d.y. och brorsdotter till konstnären Johan Pasch. Ulrika Pasch började måla 1756 men hade tidigt tillsammans med sin bror fått undervisning av fadern. Hon blev hushållerska åt en släkting, men målade på fritiden. Under en tioårsperiod försörjde hon sin pappa och syster som professionell porträttmålare i Stockholm innan hennes bror återvände från sina studier utomlands 1766, då de började arbeta tillsammans. Deras samarbete beskrivs som harmoniskt och de valdes båda in i konstakademien 1773. Hon var inte den första kvinnan som valdes in i akademin, men hon var den första kvinnliga yrkeskonstnären som blev vald. Hon ska ha målat detaljerna på broderns tavlor, som klädesdetaljer och liknande. Ulrika hade en framgångsrik karriär och målade ofta porträtt av kungafamiljen och hovet. Hon ansökte dock upprepade gånger förgäves för en pension. Systern Helena Lovisa (1744-96) hushållade åt sina syskon. Trots att det sägs att hon själv var en ödmjuk person som aldrig framhävde sitt arbete, så är hon en av få kända självförsörjande kvinnliga yrkeskonstnärer i Skandinavien före artonhundratalet.  Related Paintings of ulrica fredrica pasch :. | torbern bergman | carl axel trolle-wachtmeister | okand gosse med karta | eva eleonora salvius | ulrica fredrica pasch |
Related Artists:
Frederick richard pickersgill,R.A.
1820-1900 was an English painter and book illustrator. Born into a family of artists, he was admitted to the Royal Academy Schools in 1840. He did some book illustrations for the works of John Milton and Edgar Allan Poe. Pickersgill's The Burial of Harold was accepted as a decoration for the Houses of Parliament in 1847. He also did some landscapes under the influence of the Pre-Raphaelites. In 1856 Pickersgill was photographed at 'The Photographed Institute' by Robert Howlett, as part of a series of portraits of 'fine artists'.
Joseph Delattre
painted Le Port de Rouen in 19th century
Barbara Bodichon
1827-1891 was an English educationalist, artist, and a leading early nineteenth century feminist and activist for women's rights. She was the illegitimate child of Anne Longden, a 25-year-old milliner from Alfreton, and Benjamin Leigh Smith (1783-1860) , an MP's only son, who was himself a Radical MP for Norwich. Benjamin (Ben) had four sisters. One, Fanny Smith, married into the Nightingale family and produced a daughter, Florence Nightingale; another married into the Bonham-Carter family. Ben's father wanted him to marry Mary Shore, the sister of William Nightingale, now an in law by marriage Ben Smith's home was in Marylebone, London, but from 1816 he inherited and purchased property near Hastings: Brown's Farm near Robertsbridge, with a house built around 1700 (extant), and Crowham Manor, Westfield, which included 200 acres. Although a member of the landed gentry, Smith held radical views. He was a Dissenter, a Unitarian, a supporter of Free Trade, and a benefactor to the poor. In 1826 he bore the cost of building a school for the inner city poor at Vincent Square, Westminster, and paid a penny a week towards the fees for each child, the same amount as paid by their parents. On a visit to his sister in Derbyshire in 1826 Smith met Anne Longden, a 25-year-old milliner from Alfreton. She became pregnant and Smith took her to a rented lodge at Whatlington, a small village near Battle, East Sussex. There she lived as 'Mrs Leigh', the surname of Ben Smith's relations on the Isle of Wight. Barbara's birth created a scandal because the couple did not marry. Smith rode on horseback from Brown's Farm to visit them daily, and within eight weeks Anne was pregnant again. When little Ben was born the four of them went to America for two years, during which time another child was conceived. On their return to Sussex they lived openly together at Brown's, and had two more children. After their last child was born, in 1833, Anne became ill with tuberculosis and Smith leased 9 Pelham Crescent, which faced the sea at Hastings